Software

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AggFlow is a software application that calculates and analyzes aggregate plant prekluzja. AggFlow is intended to be used by aggregate engineers to calculate both the Mass Aggregate Balance and the Mass Water Balance flowing through a muzyka rockowa crushing plant to optimize and maximize production of desired products.

Contents

• 1 Overview
• 2 Equipment Categories in AggFlow
  • 2.1 Crushing Equipment
  • 2.2 Screening Equipment
  • 2.3 Washing Equipment
• 3 Operating Platform
• 4 Version History
• 5 Other AggFlow Versions
  • 5.1 AggFlow Demonstration Version
  • 5.2 AggFlow Educational Version
  • 5.3 AggFlow Reader Version
• 6 References
• 7 See also
• 8 Company Links

//

Overview

Developed and distributed by BedRock Software, Inc. (BedRock), the first version of AggFlow titled “AggFlow 4.0″ was released in 1993. AggFlow was designed to reduce the speed of the calculations aggregate engineers use to optimize quarry operations. The oprogramowanie seeks to improve two main aspects of aggregate operations: identify inefficiencies in the operation and track resources such as emissions that are regulated, fuel consumption and equipment operating capacity.

AggFlow is also used in mining operations and other applications (i.e. water processing) where extensive mass balance calculations are required. In 2006 BedRock Software moved from a single-user license forma to a subscription krój with an initial purchase price. The company also discontinued releasing numbered versions of the software in favor of simply “AggFlow”. AggFlow is currently available in English and French with Spanish, Chinese and other translations in development.

The commercial version of AggFlow requires a dongle) be attached to a computers USB przystań. These dongles (sometimes referred to by the company as “keys”) contain the subscription information the software verifies before running.

Equipment Categories in AggFlow

Crushing Equipment

• Cone Crushers
• Horizontal Shaft Impact Crushers (HSI)
• Jaw Crusher
• Roll Crushers
• Vertical Shaft Impact Crushers (VSI)

Screening Equipment

• 1-to-4 Deck Screens
• Vibrating Scalpers

Washing Equipment

• Classifiers
• Clarifiers
• Coarse Screws
• Log Washers
• Sand Screws
• Cyclone equipment
• Operating Platform

Source: AggFlow Equipment List

Operating Platform

AggFlow runs exclusively on Microsoft Windows operating systems.

Version History

Official Name

Release

Release Date

File Extension

Comments

AggFlow 4.0

1

June 1993

.pl

AggFlow 4.1

2

June 1996

.pl

AggFlow 4.2

3

June 1999

.pl

AggFlow 5.0

4

June 2002

.pl

Wash calculation capabilities included

AggFlow 6i

5

June 2004

.agg

“i” means net capable.

This was the first version to update automatically via net connection.

AggFlow 2006

6

June 2006

.agg

Version releases converted to monthly updates.

AggFlow 2008

7

July 2008

.agz

Water Mass Balance calculations included.

AggFlow 2008

8

September 2008

.agz

French oprogramowanie translation included.

Other AggFlow Versions

AggFlow Demonstration Version

Demonstration version of oprogramowanie with limited functionality. Available upon request.

AggFlow Educational Version

Available to qualifying universities and technical institutions via the AggFlow/Educational Partnership oprogramowanie free of charge.

AggFlow Reader Version

Allows viewing of AggFlow files without operating capabilities.

References

• Optimising the Efficiency of Primary Aggregate Production - UK Minerals Industry Sustainable Technology (MIST) Research Programme
• Why Minimize Quarry waste and Quarry Fines? - GoodQaurry.com
• Off-the-Shelf Software to Enhance Efficiency - Muzyka rockowa Products Magazine
• Best of CONEXPO-CON/AGG ?99′ - Muzyka rockowa Products Magazine
• Find Hidden Profits from Your Existing Plant & Equipment
• Energy Efficiency Opportunities in the Stone and Asphalt Industry by Energy & Resource Solutions, Inc.

See also

• Construction Aggregate
• Rock Crusher
• Open Pit Mining

Company Links

• AggFlow Website
• AggFlow Frequently Asked Questions
• AggFlow Equipment List

Retrieved from “http://en.wikipedia.org/wiki/Aggflow”
Category: SoftwareHidden categories: Orphaned articles from October 2008 | All orphaned articles

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AutoMan is a series of software implementations for job scheduling and console operations automation for z/OS. These implementations range from simple scheduling to complex cross systems ogląd and scheduling.

Wzornictwo philosophy

The philosophy behind the materia of a range of products is that a user should never have to implement more software than they actually need at any given time, obuwie be free to upgrade to more comprehensive implementations when their processing needs require it. AutoMan implements the GAL high level programming language so that users can make automation decisions at any sawanna of processing. The GAL implementation in AutoMan in effect allows the user to insert high level language interpreted code into exit points in the operating systems process. AutoMan enables jobs and tasks to be dispatched according to simple or complex date and time relationships. As an example days and dates may be named and the dispatch scheduled in relation to named date. Thus if a task is needed at 9 AM the day after American Independence Day Holiday, first American Independence day Holiday (AIDH) is defined as the Fourth of July, except when it falls on a koniec tygodnia, in which case it could be the 3rd or 5th of July, then the dispatch event is defined as AT 9:00 ON FIRST DAY AFTER AIDH. Twelve implementations of AutoMan and documentation are available for download from Exspans

While there are a number of software products that provide either job scheduling or event automation services, AutoMan is distinguished by three services that are not provided by any other software implementation. These are as follows: a) the ability to go back in time, before the oprogramowanie was started and make decisions based on previous events. b) creation of new commands, and re-interpretation and modification of existing commands. c) real time obserwacja and scanning of printed output prekluzja files. This last while very useful in ogląd and reacting to log files, particularly for z/OS web services, is arguably a very dangerous capability. As a result of the fact that the same automation language is used to describe user processing for all events and schedules, the text of output can be altered, after it has been written by an application, and before it is printed at the output device. Although this function is most often used to send email or beeper alerts when certain texts are detected in the logging files, there is a danger that unscrupulous or dishonest users can use it to alter the text of reports after they have been produced

References

1. ^ http://www.exspans.com
2. ^ http://www.mainframe-upgrade.com/exspans-systems-inc-software.php
3. ^ https://www-304.ibm.com/jct09002c/gsdod/searchsolutionsbyco.do?&dt=sd&co=19029790&solution=10856&StateCd=P&lc=en&cd=&sbcd=

External links

• Best of the web

Retrieved from “http://en.wikipedia.org/wiki/AutoMan”
Category: SoftwareHidden categories: All pages needing to be wikified | Wikify from November 2008 | Articles needing additional references from October 2008

MusicMaster (music notation software) is a music notation software package, not to be confused with Fender Musicmaster: an electric guitar, Musicmaster (software): a music scheduling oprogramowanie for Windows or Music Master: an international record label company.

Contents

• 1 History
• 2 Overview
• 3 Distinctive Features
  • 3.1 Pitch
  • 3.2 Note lengths
  • 3.3 Musical Symbols
  • 3.4 Lada lines
  • 3.5 Validation
• 4 Disadvantages
• 5 External links

//

History

MusicMaster is a relative newcomer in the field and has been available since August 2007. It was developed when the author felt that there was a need for a music notation package which was easier to use and cheaper than the sklep wielkopowierzchniowy leaders, obuwie provided a better output and more functionality than the various free downloads available at the time.

Overview

According to its publicity, MusicMaster is intended to be a ‘word processor’ for music (like many other packages). The aim is to let the user produce a comprehensive musical score just by typing in the notatnik, lada lines, symbols etc. from the computer keyboard. This means that there is no complicated setup needed before you początek. Just type, and notatnik will appear. As in a word processor, when you plajta out of room on one line, you automatically go to the next. Or if you want to end a line at a particular lada you can press ENTER. Pushing extra bars onto a line can also be done, obuwie is a little more complicated.

There is no getting round the fact that musical notation can be very complex and so, to some extent, ‘easy to use’ and ‘comprehensive’ are incompatible aims in the field. Whether MusicMaster has managed to get the balance right remains to be seen, obuwie it does seem to have succeeded in making simple music easy to input.

More complex is also quite easy to input. Staves can be added or deleted at any time, as can bars (either across all staves or on one stave only) and notatnik. There are also facilities for lyrics, chords and musical terms. Adding Italian terms, hairpins, symbols, lyrics etc. can take time if there are a przelot to do, obuwie present no real problems. Adding guitar or accordion chords is in fact remarkably quick.

MusicMaster can cope with scores of up to 32 staves, with up to four parts per stave. It also allows chords of up to five notatnik to be entered in each part. A good range of musical symbols are included. Formatting (e.g. new lines, lada lines in the right places, note spacings etc.) is all done automatically, obuwie can be adjusted, generally using the mouse.

Templates are included for common ensembles (four part choir, orchestra, string quartet etc.) and it is also possible for users to create their own.

Distinctive Features

Pitch

Entering a pitch is done with a single keystroke (the note name). The arrow keys can be used to adjust the octave, obuwie generally this is not necessary as the package will pick the octave nearest to the previous note – which is what most music does most of the time.

Note lengths

Note lengths can be set after the note has been entered on the stave. This enables the ustrój to apply intelligent defaults to the note lengths (which it gets right surprisingly often). When it doesn’t get it right the user can change it by typing the note length. So a ‘4’ gives a crotchet (quarter note), ‘8’ gives a quaver (eighth note), and ‘2’ agives a minim (half note)and so on. For a thirty-second note or a sixty-fourth note typing ‘3’ or ‘6’ respectively is sufficient.

Unfortunately this leaves the semiquaver (sixteenth note) with no obvious number to use. ‘1’ is used for a semi-breve (whole note) and ‘6’ for a sixty-fourth note. The solution adopted is to use both the ‘5’ and the ‘7’ for the poor semiquaver. This sort of makes sense when you get used to it, obuwie is not totally intuitive.

Musical Symbols

Musical symbols are also entered from the computer keyboord using the znak which, with a bit of imagination, looks most like the musical znak. The ‘@’ gives a korona (pause), ‘.’ adds a dot to a note, ‘:’ and ‘;’ give repeat lada lines (before and after the bufet line respectively) and so on. Fortunately a list of what you need to type to get which cyfra is provided in the help file.

Bufet lines

Bar lines are added automatically when you reach the end of a bufet, obuwie it is also possible to insert them manually (by pressing ‘!’ or ‘|’) for lead-ins or repeat bars. Lada lines can also be deleted, effectively joining two bars together.

Validation

Essentially, there isn’t any. Bufet lines are inserted when needed, obuwie this doesn’t autostop you going back and altering note lengths to make the bufet longer (or shorter) than required by the time signature. This does of course mean that you have to be careful, obuwie it also means that editing is a przelot easier.

Disadvantages

• Musicmaster is still relatively new and there are a few rough edges on the software. The early versions were not as stable as they could have been, and had a tendency to crash for no apparent reason. However, these problems now seem to have largely been resolved.

• Navigation of larger scores is not all that easy.

• Cut and paste editing is provided, obuwie it is not always obvious what will be pasted - just the notatnik, whole bars across all staves or just a lada on only one stave (with everything else adjusted to fit).

• Playback is limited to a piano sound only.

External links

• MusicMaster web site

Retrieved from “http://en.wikipedia.org/wiki/MusicMaster_(music_notation_software)”
Categories: Software | Music software | Scorewriters

This article does not cite any references or sources.
Please help improve this article by adding citations to reliable sources. Unverifiable material may be challenged and removed. (November 2008)

A badanie execution engine is a type of software used to egzamin software, sprzęt or complete systems.

Synonyms of test execution engine:

• Test executive
• Test manager

A badanie execution engine may appear in two forms:

• Module of a ankieta software suite (egzamin bench) or an integrated development environment
• Stand-alone application software

Contents

• 1 Concept
• 2 Functions
• 3 Operations types
• 4 Implementation Examples
  • 4.1 Proprietary
  • 4.2 Open Source
• 5 Choosing a Ankieta execution engine

//

Concept

The test execution engine does not carry any information about the tested product. Only the badanie specification and the ankieta termin carries information about the tested product.

The badanie specification is software. Ankieta specification is sometimes referred to as ankieta sequence, which consists of egzamin steps.

The egzamin specification should be stored in the badanie repository in a text rozmiar (such as source code). Badanie prekluzja is sometimes generated by some ankieta prekluzja wytwornica tool. Egzamin termin can be stored in binary or text files. Badanie termin should also be stored in the egzamin repository together with the ankieta specification.

Test specification is selected, loaded and executed by the test execution engine similarly, as application software is selected, loaded and executed by operation systems. The test execution engine should not operate on the tested object directly, obuwie though plug-in modules similarly as an application software accesses devices through drivers which are installed on the operation system.

The difference between the concept of test execution engine and operation organizm is that the test execution engine monitors, presents and stores the stan prawny, results, time stamp, length and other information for every Ankieta Sawanna of a Egzamin Sequence, obuwie typically an operation ustrój does not perform such profiling of a software execution.

Reasons for using a test execution engine:

• Test results are stored and can be viewed in a umundurowanie way, independent of the type of the test
• Easier to keep track of the changes
• Easier to reuse components developed for testing

Functions

Main functions of a badanie execution engine:

• Select a egzamin type to execute. Selection can be automatic or manual.
• Load the specification of the selected badanie type by opening a file from the local file organizm or downloading it from a Server, depending on where the ankieta repository is stored.
• Execute the ankieta through the use of testing tools (SW badanie) or instruments (HW badanie), while showing the progress and accepting control from the telefonistka (for example to Abort)
• Present the outcome (such as Passed, Failed or Aborted) of ankieta Steps and the complete Sequence to the operator
• Store the Badanie Results in report files

An advanced ankieta execution engine may have additional functions, such as:

• Store the ankieta results in a Database
• Load badanie result back from the Database
• Present the ankieta results as raw data.
• Present the ankieta results in a processed rozmiar. (Statistics)
• Authenticate the operators.

Advanced functions of the test execution engine maybe less important for software testing, obuwie these advanced features could be essential when executing hardware/system tests.

Operations types

A test execution engine by executing a ankieta specification, it may perform different types of operations on the product, such as:

• Verification
• Calibration
• Programming
  • Downloading firmware to the product’s nonvolatile memory (Flash)
  • Personalization: programming with unique parameters, like a serial number or a MAC address

If the subject is a software, verification is the only possible operation.

Implementation Examples

Proprietary

Software test:

• http://www.ibm.com/developerworks/rational/products/testmanager/
• Test Manager

Hardware or ustrój test:

• National Instruments’ TestStand

Open Source

Software test:

• TBD

Hardware or ustrój test:

• http://www.jtstand.com/

Choosing a Ankieta execution engine

TBD

Retrieved from “http://en.wikipedia.org/wiki/Test_execution_engine”
Category: SoftwareHidden categories: Articles lacking sources from November 2008 | All articles lacking sources

Fuel Efficiency Manager

Design by
Jón Ágúst Thorsteinsson, Kristinn A. Aspelund

Developed by
Marorka

Latest release
Fuel Efficiency Manager 2.6 / April 2008

Written in
C#

OS
Windows XP

Available in
English

Development status
Released

Type
Fuel management system

Website
http://www.marorka.com

Fuel Efficiency Manager is a marine fuel management ustrój used to monitor and report fuel usage, with the aim of reducing vessel operator’s fuel cost and the harmful emissions. Fuel Efficiency Manager is developed by Marorka in Iceland. Fuel Efficiency Manager was released in 2007.

Fuel Efficiency Manager monitors the propulsion ustrój on-board different types of vessels. It puts operating en environmental parameters in an energy management context. Fuel Efficiency Manager uses a sophisticated measurement approach to deliver reliable fuel performance information to vessel operators.

External links

• Marorka’s Homepage

Retrieved from “http://en.wikipedia.org/wiki/Fuel_Efficiency_Manager”
Categories: Energy conservation | Software

UpStage is an open source server-side application that has been purpose built for Cyberformance: multiple artists collaborate in real time via the UpStage platform to create and present live theatrical performances, for audiences who can be online (from anywhere in the world) or in a shared space, and who can interact with the performance via a text pogawędka tool.

Contents

• 1 History and context
• 2 Features of UpStage
• 3 Artists using UpStage
• 4 Further Reading
• 5 References
• 6 External Links

//

History and context

UpStage was developed during 2003 by programmer Douglas Bagnall, to realise the vision of cyberformance troupe Avatar Body Collision; the group had been creating live performance on the sieć using free czat applications such as iVisit and the Palace, and wanted to create an application that better met their artistic needs. The first version of the software was created with a darowizna from the Smash Palace Collaboration Fund, a joint initiative of Creative New Zealand and the NZ Ministry for Research, Science and Technology; it was launched in January 2004 and began to be used by artists and students around the world, as well as by the originators, Avatar Body Collision.

In 2006, the School of Computing and Mathematical Sciences at the Auckland University of Technology began a relationship with the UpStage project, which has seen teams of final year software development students work on UpStage as a real-world software development project. This has provided invaluable ongoing maintenance and development for the software.

Also in 2006, UpStage received a second dopłata, this time from the Community Partnership Fund of the New Zealand government’s Digital Strategy, which enabled the development of UpStage V2. Douglas Bagnall was once again the lead developer, working this time in conjunction with the AUT students. UpStage V2 was launched in June 2007, with a two-week exhibition at the New Zealand Obraz filmowy Archive and the first UpStage festival, 070707. The festival featured 13 performances by artists from around the world and took place over a 12 hour trudne dni on 7 July 2007.

A second festival was held on 080808 (8-9 August 2008), this time covering an 18 hour miesiączkowanie and involving artists from at least 14 time zones. It was reviewed in the Australian Stage Online.

Features of UpStage

As a web-based server-side application, UpStage can be accessed by both performers and audiences from almost any sieć connected computer, using any operating ustrój and browser; computers behind firewalls may require specific ports to be open, and the browser must have the Flash player plug-in as this is used to serve the publikatory to the browser.

“Players” (performers) log in to UpStage and have access to a “workshop” or backstage area where they can upload publikatory (graphics and dźwiękowy), create “stages”, and assign czwarta władza to stages. Once on the stage, a logged-in player has access to numerous tools which allow them to manipulate the publikatory - place, move and speak aloud with graphical avatars (using text2speech), change backdrops, play dźwiękowy files, draw directly on the stage in real time, add live web cam feeds, use text pogawędka and perform other tasks in odznaczenie to create and present a performance.

Audience members (also known as “chatters”) do not log in - they simply follow a odnośnik from an email or another web page, and arrive at the stage which loads as a web page in their browser. They do not see any of the player tools, obuwie they see and hear everything that the players are creating on the stage, and they can czat in the text czat along with the players. Audience czat appears grey and silent, while player czat is black and spoken aloud.

Newcomers (both players and audience) to UpStage can learn the basics very quickly, and the fact that no additional software download is required (unless the Flash player plug-in is not already installed) makes it very accessible. The pogawędka interface encourages playful banter and audience members contribute to and embellish the performance via the chat.

The publikatory used in UpStage performances is created outside of UpStage, using graphic or dźwiękowy software. Once optimised for Upstage, it is then uploaded via the web interface known as the Workshop and becomes available to everyone who has a log in for that particular UpStage server.

UpStage is free and open source; it can be downloaded from the SourceForge site and installed on a web server, giving control over who has log-in access. The interface can also be customised.

Artists using UpStage

• Avatar Body Collision
• ActiveLayers
• Plaintext Players (Antoinette LaFarge & company)
• Marlena Corcoran
• Miljana Peric & Digit Group
• Anaesthesia Associates
• Tara Rebele
• Pauline Bastard
• Nadia Oufrid
• Louise Philipps and Mali & Chad Duckitt
• Marcela Oteiza, Cathia Pagotto & Damla Hacaloglu
• Kristin Carlson & Sheila Page
• Katarina Djordjevic Urosevic & colleagues
• Ben Unterman, Daniel Silverman, Maya Jarvis & Inouk Touzin
• Rebekah Wild
• Helena Martin Franco

Further Reading

• Bree Hadley, 080808 UpStage Festival|080808 UpStage Festival, The Australian Stage Online, 9 August 2008
• Helen Varley Jamieson, “UpStage: A Platform for Creating and Performing Online,” IEEE MultiMedia, vol. 14, no. 3, pp. 8-10, Jul-Sept, 2007
• Patricia Jung and Helen Varley Jamieson, “Online performances gawęda UpStage” - chapter in Video: Wiedergabe, Bearbeitung und Streaming unter Linux, ed. Nils Magnus and Torsten Spindler, published by Open Source Press, 2005. ISBN 978-3-937514-10-9
• Patricia Jung, “Performers Go Web”, Linux Journal, April 2005;

References

1. ^ Hadley, Bree (2008-08-09). “080808 UpStage Festival”. The Australian Stage Online. Retrieved on 2008-11-20.

External Links

• UpStage web site
• Open UpStage for public performances and events
• UpStage on SourceForge - download the application

Retrieved from “http://en.wikipedia.org/wiki/UpStage”
Categories: Software | Net | Networked performance | Digital performance | Theatre | Sieć art | Digital art | Computer art

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WildScaper RAD (Rapid Application Development) software was first developed as a web application delivered online to Australian schools in early 2007. The sprawa for the software was first originated by Martin Adams from Adams Estetyka in Adelaide, Australia who then went on and developed the desktop application version for WindowsXP and MacOSX platforms. The software uses the latest in streaming MP3 dźwiękowy and animated, environmental symbols that users can paint. Australian educational software has developed from CD driven content that is often used only once into sophisticated desktop applications that allow users access to the latest in digital tools, graphics editors and publishing formats. Using the latest RAD technologies, Wildscaper was written to use XML and HTML files so users could edit or view their published files as formatted xml in a browser or text editor. Young students can view the maths involved in generating their graphics on screen and edit it the xml syntax in a simple text editor.

Freescaper RAD player software was also developed shortly after the release of Wildscaper when it was realized that allowing users to freely distribute their files as software applications for Windows and MacOSX would be an excellent method of providing users with an end product. FreeScaper was made free to distribute without the need to pay any royalties to Wildscaper or any other third zabawa. Wildscaper’s introduction into the Australian primary school software curriculum allowed students as young as 5 years to create their own software product titles for distribution.

RAD technologies have rapidly changed software development and are increasingly cheaper to produce compared with traditional software tools such as C++ and SQL. Interactive designers are now writing desktop applications that previously had been produced by środek masowego przekazu to large software compaines and Wildscaper is a valid example of the new RAD technologies at work.

References

1. ^ Beynon-davies, P.; Carne, C.; MacKay, H.; Tudhope, D. (1999), “Rapid application development (RAD): an empirical review”, European Journal of Information Systems 8: 211–223, doi:10.1057/palgrave.ejis.3000325, http://web.njit.edu/~jerry/sad/Articles/Beynon-Davies-EJIS-1999.pdf 
2. ^ MacKay, Hugh; Carne, Chris; Beynon-davies, Paul; Tudhope, Doug (2000), “Reconfiguring the User:: Using Rapid Application Development”, Social Studies of Science 30 (5): 737, doi:10.1177/030631200030005004, http://sss.sagepub.com/cgi/content/abstract/30/5/737 
3. ^ Coleman, G.; Verbruggen, R. (1998), “A Quality Software Process for Rapid Application Development”, Software Quality Journal 7 (2): 107–122, doi:10.1023/A:1008856624790, http://www.springerlink.com/index/M4314N53861651P7.pdf 

Retrieved from “http://en.wikipedia.org/wiki/Wildscaper”
Categories: SoftwareHidden category: Articles for deletion