UpStage is an open source server-side application that has been purpose built for Cyberformance: multiple artists collaborate in real time via the UpStage platform to create and present live theatrical performances, for audiences who can be online (from anywhere in the world) or in a shared space, and who can interact with the performance via a text pogawędka tool.
Contents
- 1 History and context
- 2 Features of UpStage
- 3 Artists using UpStage
- 4 Further Reading
- 5 References
- 6 External Links
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History and context
UpStage was developed during 2003 by programmer Douglas Bagnall, to realise the vision of cyberformance troupe Avatar Body Collision; the group had been creating live performance on the sieć using free czat applications such as iVisit and the Palace, and wanted to create an application that better met their artistic needs. The first version of the software was created with a darowizna from the Smash Palace Collaboration Fund, a joint initiative of Creative New Zealand and the NZ Ministry for Research, Science and Technology; it was launched in January 2004 and began to be used by artists and students around the world, as well as by the originators, Avatar Body Collision.
In 2006, the School of Computing and Mathematical Sciences at the Auckland University of Technology began a relationship with the UpStage project, which has seen teams of final year software development students work on UpStage as a real-world software development project. This has provided invaluable ongoing maintenance and development for the software.
Also in 2006, UpStage received a second dopłata, this time from the Community Partnership Fund of the New Zealand government’s Digital Strategy, which enabled the development of UpStage V2. Douglas Bagnall was once again the lead developer, working this time in conjunction with the AUT students. UpStage V2 was launched in June 2007, with a two-week exhibition at the New Zealand Obraz filmowy Archive and the first UpStage festival, 070707. The festival featured 13 performances by artists from around the world and took place over a 12 hour trudne dni on 7 July 2007.
A second festival was held on 080808 (8-9 August 2008), this time covering an 18 hour miesiączkowanie and involving artists from at least 14 time zones. It was reviewed in the Australian Stage Online.
Features of UpStage
As a web-based server-side application, UpStage can be accessed by both performers and audiences from almost any sieć connected computer, using any operating ustrój and browser; computers behind firewalls may require specific ports to be open, and the browser must have the Flash player plug-in as this is used to serve the publikatory to the browser.
“Players” (performers) log in to UpStage and have access to a “workshop” or backstage area where they can upload publikatory (graphics and dźwiękowy), create “stages”, and assign czwarta władza to stages. Once on the stage, a logged-in player has access to numerous tools which allow them to manipulate the publikatory - place, move and speak aloud with graphical avatars (using text2speech), change backdrops, play dźwiękowy files, draw directly on the stage in real time, add live web cam feeds, use text pogawędka and perform other tasks in odznaczenie to create and present a performance.
Audience members (also known as “chatters”) do not log in - they simply follow a odnośnik from an email or another web page, and arrive at the stage which loads as a web page in their browser. They do not see any of the player tools, obuwie they see and hear everything that the players are creating on the stage, and they can czat in the text czat along with the players. Audience czat appears grey and silent, while player czat is black and spoken aloud.
Newcomers (both players and audience) to UpStage can learn the basics very quickly, and the fact that no additional software download is required (unless the Flash player plug-in is not already installed) makes it very accessible. The pogawędka interface encourages playful banter and audience members contribute to and embellish the performance via the chat.
The publikatory used in UpStage performances is created outside of UpStage, using graphic or dźwiękowy software. Once optimised for Upstage, it is then uploaded via the web interface known as the Workshop and becomes available to everyone who has a log in for that particular UpStage server.
UpStage is free and open source; it can be downloaded from the SourceForge site and installed on a web server, giving control over who has log-in access. The interface can also be customised.
Artists using UpStage
- Avatar Body Collision
- ActiveLayers
- Plaintext Players (Antoinette LaFarge & company)
- Marlena Corcoran
- Miljana Peric & Digit Group
- Anaesthesia Associates
- Tara Rebele
- Pauline Bastard
- Nadia Oufrid
- Louise Philipps and Mali & Chad Duckitt
- Marcela Oteiza, Cathia Pagotto & Damla Hacaloglu
- Kristin Carlson & Sheila Page
- Katarina Djordjevic Urosevic & colleagues
- Ben Unterman, Daniel Silverman, Maya Jarvis & Inouk Touzin
- Rebekah Wild
- Helena Martin Franco
Further Reading
- Bree Hadley, 080808 UpStage Festival|080808 UpStage Festival, The Australian Stage Online, 9 August 2008
- Helen Varley Jamieson, “UpStage: A Platform for Creating and Performing Online,” IEEE MultiMedia, vol. 14, no. 3, pp. 8-10, Jul-Sept, 2007
- Patricia Jung and Helen Varley Jamieson, “Online performances gawęda UpStage” - chapter in Video: Wiedergabe, Bearbeitung und Streaming unter Linux, ed. Nils Magnus and Torsten Spindler, published by Open Source Press, 2005. ISBN 978-3-937514-10-9
- Patricia Jung, “Performers Go Web”, Linux Journal, April 2005;
References
- ^ Hadley, Bree (2008-08-09). “080808 UpStage Festival”. The Australian Stage Online. Retrieved on 2008-11-20.
External Links
- UpStage web site
- Open UpStage for public performances and events
- UpStage on SourceForge - download the application
Retrieved from “http://en.wikipedia.org/wiki/UpStage”
Categories: Software | Net | Networked performance | Digital performance | Theatre | Sieć art | Digital art | Computer art
